He's young, handsome and popular almost beyond belief. He has sold an estimated 45 million albums worldwide and regularly fills 50,000-seat stadiums. He's a stylish performer who counts Frank Sinatra among his idols.
So, when's Latin pop superstar Luis Miguel finally going to say si to recording in English?
It's a question that was raised in some quarters of the pop world in 1994 when the Mexican singer's Segundo Romance became the first Spanish-language album to be certified as a million-seller in the United States. It was reintroduced in 1995, when the charismatic 27-year-old performer sang Come Fly With Me in English at the 80th-birthday salute to Sinatra at the Shrine Auditorium in Los Angeles.
Remarkably, he stole the show from the likes of Bob Dylan, Bruce Springsteen and even Tony Bennett by reflecting much of the snap and the "estilo" of Sinatra's own ring-a-ding image.
And the question is likely to be raised again as the word of mouth from Luis Miguel's triumphant new U.S. tour begins filtering through the pop world. The singer is booked Sunday at Miami Arena.
His dazzling concert in September at Los Angeles' Universal Amphitheatre helped explain why he enjoys such phenomenal success.
The show was a marvelously designed and wonderfully executed blend of Latin music tradition including segments devoted to boleros and mariachi and contemporary sensibilities.
Though you didn't need to know the language to get caught up in the energy and passion of the performance, the show would surely be more accessible to most U.S. pop fans if Luis Miguel sang in English.
You got a hint of the potential impact when he sang Besame Mucho, a song that has been recorded scores of times in English since it was written in 1944 by Consuelo Velazquez. Even though Luis Miguel sang it in Spanish, the familiarity of the song made it seem far more immediate than the other material.
While he could build an English base through word of mouth, a few key recordings would more quickly do the trick.
Luis Miguel's agent, Peter Grosslight of William Morris, thinks the singer could ``quadruple'' his popularity by expanding his music to an English- speaking audience in this country and in Europe.
That could add up to whopping figures since Luis Miguel's success on the Latin pop scene alone makes him one of the most popular singers in the world. His latest album, Romances, entered the U.S. pop chart in August at No. 14.
So what are the chances that he will attempt a crossover?
Luis Miguel whose last name is Gallego, but who uses his two first names professionally no doubt likes all the mystery surrounding his decision. In an interview on the eve of the Los Angeles show, the singer, who speaks English fluently, said he thinks it's important for celebrities to maintain a certain degree of mystique.
But he's also clearly nervous about the English-language issue.
For one thing, he feels uncomfortable being seen as part of what he calls the ``crossover-artist stereotype,'' someone who thinks, for reasons of ego or record sales, that he needs success in the English-language world to validate his artistry or stardom.
Mostly, however, one senses his reservations have to do with his perfectionism.
``When I go on stage, I want to transmit certain emotions and the best way to do it is with my own language, which is Spanish,'' says the singer, who has homes in Los Angeles, where he records his albums, and in Acapulco, Mexico, where he tends to stay when he's not working.
``In English, I can communicate, but not as well . . . I need to find the right record producer, the right songs . . . and that takes time. I am very busy now in my Spanish world. I'm young. I'm patient. I probably will make the album some day, but I don't want to do it until I know I will do it right.
``It's not important to me to make an English album just because of marketing . . . just to be No. 1 in Billboard (in the United States). We already (reached) No. 14 with my new Spanish album.''
As remarkable as his commercial success, the most noteworthy feature of Luis Miguel's career is his dedication to artistry. He brings a seriousness to the often lightweight world of mainstream Latin pop, a dedication to craft that is all the more impressive given his own teen-age pop background in Mexico.
Guided in show business by his late father, singer Luisito Rey, Luis Miguel was a superstar in Latin America before he entered his teens. By 16, however, he felt frustrated musically and declared his independence by severing professional ties with his father. Since then, he has largely managed himself.
Though he has blossomed as an artist on his own, he still credits his father for his artistic drive. ``The main thing for me has always been the music, not just the fame,'' Luis Miguel says. ``I wanted to do it well. I had certain heroes . . . from Javier Solis and Pedro Infante in Mexico to Frank Sinatra and more in this country. I wanted to be like them . . . the "estilo" and the class.